Karolyi - Play the Dutch! Part 2

This approach is intended to enable the reader to assign himself to one of the player types and find out whether he belongs to the activists or rather to the pragmatists, theorists or reflectors. The result allows to draw conclusions in order to further expand the individual strengths or to develop a more universal playing style overall.

Because even if you usually win thanks to your strengths, it makes sense to work on your own weaknesses as well. Of course, if there is only one move in a position, you should be able to find it. Playstyles are especially important in positions where you have a great choice. However, they also play a role when you choose the type of position, which you should strive for based on your style.

Interestingly, a playstyle can also be imitated, which may even be the appropriate strategy against certain opponents. For example, certain characteristics stand out clearly in activists, and being able to adjust to them as an opponent is of course very valuable. A good example is Kramnik's win over activist Kasparov (at the London 2000 world championship match). Since Kramnik always managed to steer the game in the direction appropriate to his style, his big opponent never had the chance to demonstrate his own strengths in positions with attack and initiative.

While 'The Human Factor' was about a clear distinction of the four playing styles, this book aims to emphasize the universality of each player. After solving the tasks tailored to the four player types, it becomes clear how your own competencies are distributed. Accordingly, GM Vincent Keymer states in his foreword:
"Even if the further development of one's own player personality to a universal player who unites all player types may remain a utopia, it's still worth pursuing."

Rudolf Spielmann was one of the strongest chess players in the world in the first half of the 20th century. Following his shared second place at the Carlsbad tournament in 1929 with Capablanca, half a point behind Nimzowitsch, he was considered one of the world's top five. His career spread over four decades and included a host of tournament and match victories, such as defeating Bogoljubov over ten games in 1932.

Often known as the Last Romantic in chess with his predilection for the King's Gambit and Vienna Game and love of sacrifices, he bequeathed a rich legacy of ideas and techniques. These combinational and positional master classes are examined here in 213 instructional games and fragments, organized thematically in a way similar to Grigory Bogdanovich's previous volumes on Bogoljubov.

Detailed commentary is provided on games against leading contemporaries. Opponents in this work include five world champions Lasker, Capablanca, Alekhine, Euwe, and Botvinnik, as well as Marshall, Janowski, Tarrasch, Tartakower, Nimzowitsch, Reti, Rubinstein, Romanovsky, Bogoljubov, and many others. Bogdanovich's commentary is richly supplemented by that of stars of the epoch and, above all, of Spielmann himself.

The book further contains a biographical sketch and is supplemented by a large number of tournament photographs and portraits. Spielmann's life was ultimately tragic - a lonely death in Sweden aged just 59 as a Jewish refugee from Nazi Germany following the demise three years earlier of his sponsor, while several family members failed to escape the Holocaust.

Additional materials in the book include a detailed table of tournaments and matches from his career, as well as a translation of Spielmann's fascinating article dating to 1923 called "From the Sickbed of the King's Gambit". 460 pages

In my first book I wanted to enlighten the reader on those various lines that were

less explored, and those that have been almost forgotten but were nevertheless

interesting.

However this time the book is about cutting-edge lines, which is a very

modern approach to this fascinating opening. Moreover it is important to say that

when I was writing my first book a few years ago, surprisingly, some of these current

lines simply didn’t exist, or were only discussed in a very minor way.

It is true that the Grünfeld fits in very well with the engines’ way of playing chess,

and in that sense it’s almost the perfect opening with which to implement and generate

such ideas.

Let’s have a look now at what I mean and start reading my findings!

GM Milos Pavlovic, January 2024.

Soepel vinyl matje n°3 en plastieken schaakstukken, zwart en wit, gevilt.