Schaakbord Walnut met annotatie

Shusaku, disparu à 34 ans, fut le plus grand joueur du 19ème siècle et, pour beaucoup, de toute l'histoire du go. Cet ouvrage de grand format présente 140 de ses parties, la moitié d'entre elles commentées en détail.

L'auteur, personnage incontournable du bridge français, nous propose, une nouvelle approche pédagogique des plans de jeu à  l'atout et l'application des """"théorèmes fondamentaux"""" du jeu avec le mort. Grâce à  cette synthèse remarquable, il va vous

I sincerely hope that you, dear readers, will enjoy the wonderful masterpieces you will find in this book. In addition to the authors, some of Drasko’s contemporaries were also involved in the writing, and they immediately responded with pride and love to the request to keep the memory of the Serbian genius alive. I would like to thank all those who participated in this project.

To the Grandmasters who wrote down their own memories of Drasko Velimirovic, which you will find in this book in special ”boxes”. To the contemporaries, friends, and comrades-in-arms of ”Boss” who remember this or that anecdote, this or that event, this or that memory.

This second volume covers Drasko’s life and chess from 1976 until 2011. 380 pages

This time, it's not you should know, but you must know... it's the crème de la crème of endgame studies (as the title indicates, there are 100), compiled and commented on by one of the world's leading specialists, the Dutch GM's Jan Timman.

Divided into 5 chapters, it starts with affordable studies and ends with extremely complex positions. 231 pages

• Scroll the map blocks around the board to discover the hidden membership code of the Society of Shadows
• Will you be able to uncover the hidden code of the secret society?
• Difficulty: EXTREME 4/6
• Box dimensions: 10,5 x 13,5 x 3 cm; Only disponible english version with instruction leaflet

OUT OF STOCK

After having conquered chess America, Paul Morphy issued a challenge to European chess players and traveled there to play the best players of the game, and in particular wanting to face Howard Staunton, the English master who was widely considered to be the best player in the world.
The present book, written by his private secretary, Frederick Milnes Edge, includes accounts and letters of the efforts of Morphy and his supporters to have him face the best players. As you will read, not all of the efforts succeeded.
In the second part of the book, we include a shorter book by C. A. Buck, Paul Morphy - His Later Life, which covers Morphy's life after returning to the US and giving up chess. 173 pages

In Joseki Revolution, Shibano focuses on local exchanges, in contrast to the predominantly whole-board focus on fuseki strategy of his previous book, Fuseki Revolution. Even so, Shibano's analysis always maintains a global view, as the basic nature of go is such that without whole-board judgement, there is no local judgement. Even when you are evaluating a joseki in a corner, a whole-board viewpoint is always essential.

Of particular interest in Joseki Revolution is his treatment of the taisha, the avalanche, and the magic-sword josekis. Shibano shows how, thanks to AI, these extremely complicated josekis have been "swamped in a wave of simplification."

In Chapter 3 Shibano discusses the merits and demerits of the four corner enclosures based on the 3-4 point. He investigates the reason why the small-knight enclosure has declined in popularity and why the previously shunned two-space enclosure has become so popular.

The book consists of 35 themes divided into four chapters as follows:

Chapter 1. Changes in basic josekis

Chapter 2. The transformation in opening strategies

Chapter 3. Up-to-date information about corner structures

Chapter 4. Looking at the most up-to-date josekis

In an appendix, Shibano examines some unconventional moyo-oriented fuseki strategies and gives some advice on how to handle these large-scale moyos. The appendix also contains a section on the revival of the high Chinese Opening and explains why this opening strategy is strategically sound.