Backgammon Cuir Noir/Rouge

Grey Beige with Yellow Brown and Dusty Ivory.

Leatherette Collection has a refined, elegant appearance while maintaining all of the unique advantages of premium quality eco leather, especially when it comes to noise reduction and durability.

This backgammon is handmade using the art of marquetry (also spelled as marqueterie) which is the art and craft of applying pieces of veneer to a structure to form decorative patterns and designs.

The Scotch Game is a solid opening that has been tried and tested in practice by some of the strongest chessplayers in the world for more than two centuries. The idea behind the Scotch Game is simple and easily understandable. White eliminates – in a purely mechanical fashion – Black’s e5-pawn which initially impedes his ambition to dominate in the center.

This is very appealing for White, as he controls the direction of the struggle’s development, while Black can only try to keep pace. Furthermore, there are relatively simple schemes in the white repertoire in which it is enough to remember the main plans of both sides and typical maneuvers.

This is the second edition of Vladimir Barsky’s book that first appeared in 2009. The new edition consists of seven chapters dealing with the core ideas and variations of the Scotch, supplemented by 79 Illustrative Games. The authors not only present detailed analysis of all lines but are also careful to discuss the ideas behind the opening. If you already play the Scotch, you need this book. If you don’t, find out what you have been missing. 224 pages

Instruction + exercises according to the old Soviet chess school Experienced Russian Grandmaster Yakov Neishtadt reveals the training material that was used in Soviet times to build up young masters. In the first part of the book Neishstadt teaches a systematic course on the most important tactical themes. The second part consist of an exam with hundreds of tests from real-life chess, in random order so as not to give unwelcome hints on how to solve them. The solutions are not just lists of moves, but include instructive prose.  This edtion has been checked with modern engines. 390 pages

There are already many endgame books, so why this one? Well, most books deal with elementary endgames, or are very advanced and contain few exercises. But you have only really learned something when you can execute it at the board, with the clock ticking. And solving exercises is very close to this scenario.
The authors present 450 endgame exercises designed to improve your understanding of endgame theory and sharpen your endgame expertise. Starting with the chapter “Specific Positions to Know,” they take you on a journey with just the right mix of practical advice and theoretical knowledge.
Endgame Corner is detailed, well-researched, informative and in-depth, with both authors sharing their experiences, recent games and new examples... I really like this material and hope that you will as well. If you are fascinated by endings, or feel the need to improve this part of your game, this book is a “must” addition to your library. – From the Foreword by Wesley So

336 PAGES

Free the Canary!

difficulty level: 4/6

Full natural wood for this cute puzzle!

Although known for a long time, the London started to catch up in popularity just in the last decade or so. I guess the reason for this is probably the desire of many players to focus more on the practical side of chess, with less use of engines and less memorization of long theoretical lines, and more about positional understanding of game. I must say, it received a huge boost not only in the number of games but also in a deeper understanding of the positions arising from the opening. In the past it was used from time to time, but only a few players employed it on a regular basis, such as grandmasters from former Yugoslavia, Milorad Knezevic and Vlado Kovacevic, and the English GM Tony Miles, who used it often.
Today, Kamsky is one of the players who uses it very often, and of course Magnus Carlsen, but we have many other grandmasters and non-grandmasters who now have it in their repertoire on a regular basis. I must say that it’s also important to emphasize the move orders of the line, and due to that we have an immense number of transpositions, which you don’t find so much in other openings.
My experience with the London is good and bad: after I lost a game to grandmaster Volkov in the Rilton Cup, I decided that such positions are not exactly my cup of tea, but in 2019 I picked it up again in one game in a World Senior tournament and produced a very good game. So, as in any opening, good and bad games can happen, but the London itself became a very important part of 1.d4 theory.
Milos Pavlovic, 2024.

248 PAGES Hardcover